A group exhibition at Geer Pouls' gallery in 1986 2.

The title of the 1986 group exhibition that included an entire wall of Marlies' Designs for Large Vases was KERAMIEK.

I asked Geer Pouls if he still had photos of that Marlies wall.

After checking his archives it turned out that no photos were taken.

Geer did dig up the invitation card, though, and he sent me a folder with more great stuff from his archives. A wonderful gift which I will pass on to the Stedelijk Museum Breda. 

The only names I knew were Annerie Teuling and Rob Brandt. I had to look up the rest. Johanna Schweizer apparently was known in Breda as the local Louise Bourgeois. Hopefully that was a joke.

  

 

A group exhibition at Geer Pouls' gallery in 1986 1.

I found a review by Lia Roose of a group exhibition featuring Marlies and four other ceramists at Geer Pouls' gallery in 1986. The other artists were Rob Brandt, Johanna Schweizer, Sjoera Siebers, and Annerie Teuling. 

Although it is only a short review, it is an important one because we now know that Marlies originally displayed the works from our box on a wall. 

Marlies van Wijk filled an entire wall with what she calls ‘designs for large vases’. These are rather crudely molded bowls and vases in soft colors, dollhouse-sized.  They are amusing and, from an economic point of view, a great find, but rather difficult to take seriously as designs because of the rough execution.

De Stem 2 oktober 1986 p. 21

De Stem 2 oktober 1986 p. 21

Self-portrait

Looking at this bowl from the back, we suddenly see Marlies herself. 

While each piece in the box reveals something personal about her, this is my favorite because it is so typical of who she is. She is there, but you have to look closely to see her.

De Beeldenaar 2: Teun Hocks

With Teun Hocks, it was always playtime. You could let out all your energy with him and he wouldn't pay any attention. He was very entertaining and always enjoyed what we were saying and trying to create. 

The highlight of the lessons was making the annual cartoon. Teun would film every sheet we finished with a camera positioned in the middle of the classroom. 

At the end of the year, we watched the film together —that was a moment I'll never forget. It was something you had created with him and the rest of the group. It felt very special:

De Beeldenaar 1: Akke Sins

At the Beeldenaar art school for kids, Saturday mornings were organized so that you changed teachers and subjects every month. 

Besides Marlies, I took classes with Teun Hocks (a cool guy) for drawing, painting, and animation, and with Akke Sins for printmaking. 

Akke Sins was a striking, tall woman who was always calm and focused (something new to me). 

I remember that everyone in her class always tried to please her by creating beautiful things. A lovely woman, with a great gift for teaching. 

She owned a house in Oostende, which was very bohemian then. 

I am still very grateful for her lessons and for teaching me how to concentrate. 

When my mother was sorting out her old mail a few years ago, we found at least ten hand-made new year cards (woodprints, linocuts) adressed to my parents and to all the Jasjes (there are six of us).   

I just found a wonderful interview with her that includes this great photo of her with her dogs. She is 96 now.

Akke Sins 

In 1961 Akke designed my birth announcement card, which is very typical of her style:

Clay is cool 3.

This morning I visited Peter Tomesen, who was Marlies' partner for many years and has always remained her friend. 

Not only does Peter have many wonderful stories about Marlies, he also has a collection of photos that capture Marlies and the Breda art scene at that time beautifully.  

The photos are striking because of the sheer joy of life they radiate, and because they show how close Marlies was to her fellow ceramicists, Annerie Teuling and Tjitske Dijkstra. 

As a preview, I am allowed to show readers of this blog these two photos of Marlies with Annerie and Tjitske, and two great portraits of Marlies.

Thank you very much for sharing this wonderful material, Peter.

Annerie Teuling and Marlies van Wijk

Marlies van Wijk and Tjitske Dijkstra

Who's Afraid of Red,Yellow and Blue

Marlies van Wijk

A wall of masks

The moment Denneke discovered these masks in her shed is pictured here.

In these two photos (thanks, Denneke!) we can now see them in their restored state.    

It is clear that some of the masks were deliberately deformed. 

No photos of the original display have been found yet, but no doubt Marlies would have carefully considered the order in which they should be arranged.  

Hopefully, photos of the exhibition will turn up one day.

Denneke has managed to trasce eighteen masks. Another one is owned by Annerie Teuling.